A l'occasion de l'exposition 'Henri Cartier-Bresson and Alberto Giacometti' au Kunsthaux de Zürich

When CartieBresson photographs Alberto crossing the rue d'Alésia, it is a gaze his own gaze fixes upon. And this focus means that, for Henri, Giacometti's art has the gaze as its origin, as is the case with the one who is taking the photograph.
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