Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and wholeness; it nurses competing urges to integrity and disarray, perfection and fragmentation, confession and invention. How to write about essays and essayists while staying true to these contradictions? ESSAYISM is a personal, critical and polemical book about the genre, its history and contemporary possibilities. It's an example of what it describes: an essay that is curious and digressive, exacting yet evasive, a form that would instruct, seduce and mystify in equal measure.
"The lunatic, the lover, and the poet, are of imagination all compact." - William Shakespeare, A Midsummer Night's Dream. To commemorate the 400th anniversary of the deaths of William Shakespeare and Miguel de Cervantes, And Other Stories and Hay Festival have selected twelve contemporary international authors to each write an original and previously unpublished story as their tribute to these giants of world literature. In order to celebrate the international influence of both writers and offer us new and intriguing perspectives on them, six English-speaking authors have taken inspiration from Cervantes and his work, while six Spanish-language authors have written stories inspired by Shakespeare.
"They cut her hair before they dragged her to the place of sacrifice. Her mouth was gagged to stop her cursing her father, her cowardly, two-tongued father. Nonetheless, they heard her muffled screams."On the day of his daughter's wedding, Agamemnon orders her sacrifice. His daughter is led to her death, and Agamemnon leads his army into battle, where he is rewarded with glorious victory. Three years later, he returns home and his murderous action has set the entire family - mother, brother, sister - on a path of intimate violence, as they enter a world of hushed commands and soundless journeys through the palace's dungeons and bedchambers. As his wife seeks his death, his daughter, Electra, is the silent observer to the family's game of innocence while his son, Orestes, is sent into bewildering, frightening exile where survival is far from certain. Out of their desolating loss, Electra and Orestes must find a way to right these wrongs of the past even if it means committing themselves to a terrible, barbarous act.House of Names is a story of intense longing and shocking betrayal. It is a work of great beauty, and daring, from one of our finest living writers. (présentation de l'éditeur)
Following on from the success of Men Explain Things to Me comes a new collection of essays in which Rebecca Solnit opens up a feminism for all of us: one that doesn't stigmatize women's lives, whether they include spouses and children or not; that brings empathy to the silences in men's lives as well as the silencing of women's lives; celebrates the ways feminism has shifted in recent years to reclaim rape jokes, revise canons, and rethink our everyday lives. (présentation de l'éditeur)
Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.
Alison Donnelly has suffered for love. Still stuck in the small Northern Irish town where she was born, working for her father's real estate agency, she hopes to pick up the pieces and get her life back together. Her sister Liz, a fiercely independent college professor who lives in New York City, is about to return to Ulster for Alison's second wedding, before heading to an island off the coast of Papua New Guinea to make a TV show about the world's newest religion.
Incisive and highly original, an investigation of the connection between literature and psychoanalysis, from Britain's leading psychoanalyst, author of On Kissing, Tickling and Being Bored and On Kindness, the essential Adam PhillipsFor Adam Phillips - as for Freud and many of his followers - poetry and poets have always held an essential place, as both precursors and unofficial collaborators in the psychoanalytic project. But the same has never held true in reverse. What, Phillips wonders, at the start of this deeply engaging book, has psychoanalysis meant for writers?
It is April 1946. Evelyn Sert, 20 years old, a hairdresser from Soho, sails for Palestine, where Jewish refugees and idealists are gathering from across Europe to start a new life in a brand new country.
In a city graveyard, a resident unrolls a threadbare Persian carpet between two graves. On a concrete sidewalk, a baby appears quite suddenly, a little after midnight, in a crib of litter. In a snowy valley, a father writes to his five-year-old daughter about the number of people that attended her funeral. And in the Jannat Guest House, two people who've known each other all their lives sleep with their arms wrapped around one another as though they have only just met.
Meet Samuel: stalled writer, bored teacher at a local college, obsessive player of online video games. He hasn't seen his mother, Faye, in decades, not since she abandoned her family when he was a boy. Now she has suddenly reappeared, having committed an absurd politically motivated crime that electrifies the nightly news, beguiles the Internet, and inflames a divided America. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high-school sweetheart. Which version of his mother is true? Two facts are certain: she's facing some serious charges, and she needs Samuel's help.
